LES ADIEUX

DETAILS

INSTRUMENTATION: VIOLIN DUO
YEAR: 2009, REV. 2013
DURATION: 9:00

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PROGRAM NOTES

Les Adieux (2009, rev. 2013) is inspired by Beethoven’s piano sonata no. 26, the “farewell” sonata. My composition, shaped by formal subdivisions that amalgamate emotions of separation, absence and return, culminates in a musical quote from Beethoven’s composition at the formal axis of the work. The instrumentation of two violins unfolds the sonic qualities of one instrument represented by two performers. Though much of the composition will be based on collectively employed musical textures, there will be room for individual expression within a given performance. Consequently, the composition will make entirely virtuosic demands in terms of instrumental range, articulation, and technical difficulties. Les Adieux suggests a choreographed performance in which the musicians engage in a physical representation in different areas of the concert space, but it can also be presented as a concert piece. Friedrich Heinrich Kern

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PREVIEW

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PERFORMANCES

2015
MAY 2
GERMAN CONSULATE GENERAL
NEW YORK, NY, USA

2013
SEPTEMBER 21
LITTLEFIELD
BROOKLYN, NY, USA

REVIEW

GERMAN CONSULATE, 2015, FEBRUARY 9

WINTERREISEN (EXTENDED VERSION)

DETAILS

INSTRUMENTATION: ENSEMBLE, ELECTRONICS (2015)
YEAR: 2014, REV. 2015
DURATION: 17:00
PREMIERE: ENSEMBLE MISE-EN: MOON-YOUNG HA, CONDUCTOR; FRIEDRICH HEINRICH KERN, ELECTRONICS LOCATION: GOETHE-INSTITUT BOSTON, USA 05/02/14

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BRISE MARINE

DETAILS

INSTRUMENTATION: SOPRANO, FLUTE, HARP
YEAR: 2012
DURATION: 6:00
COMMISSIONED BY ENSEMBLE PLURIMO
PREMIERE: ENSEMBLE PLURIMO: CECILIA VENDRASCO, FLUTE; ALESSANDRA TRENTIN, HARP; LUCIA RIZZI, SOPRANO
LOCATION: TEATRO LA FENICE, VENICE, ITALY 06/17/12

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WELLINGTONS SIEG

DETAILS

INSTRUMENTATION: SYMPHONIC BRASS
YEAR: 2010
DURATION: 8:30
COMMISSIONED BY BACH, BLECH & BLUES

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PERFORMANCES

PREMIERE: ENSEMBLE BACH, BLECH & BLUES
LOCATION: PHILHARMONIE, KÖLN, GERMANY
DATE: 03/07/10